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Aphrodite's Blessings By Clemence McLaren

Download PDF Aphrodite's Blessings By Clemence McLaren

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Sales Rank: #2323688 in Books
Brand: Atheneum
Published on: 2002-01-01
Original language: English
Number of items: 1
Dimensions: .83" h x 5.38" w x 7.52" l,
Binding: Hardcover
200 pages

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Amazon.com Review
"And I realized with a shock that he was never going to understand. He was a man," laments Atalanta about her overbearing father. Atalanta, Andromeda, and Psyche--three Greek heroines bound by love, or by the harsh bonds of a patriarchal society? In these feminist retellings of classic love stories, Clemence McLaren, author of Waiting for Odysseus and Inside the Walls of Troy, tells it like it really was for women back in the Greek day--early marriage followed by complete sacrifice to a husband's sometimes selfish will. But these women refuse to accept that fate, and try instead to somehow get around their father-chosen futures. The story of Atalanta, the haughty girl athlete who refused to marry, is turned into a poignant tale of an obedient daughter doing her best to please her arrogant father, despite his unreasonable demand that she compete with her suitors--to the death. Andromeda is reluctantly resigned to marrying her father's old fogy friend, until fate intervenes in the form of a giant sea monster and a dashing young hero. But it's poor Psyche, so beautiful that people worship her instead of the goddess Aphrodite, who has to confront the most unpleasant creature of all--an angry mother-in-law who also happens to have the power of Mount Olympus at her fingertips. Three women, three marriages, three stories that riot grrrls of today will easily relate to, thanks to McLaren's savvy way of showing how real Greek women were far from being seen as goddesses, and just as unlikely to be treated as such. Divinely recommended. (Ages 12 and older) --Jennifer Hubert

From Publishers Weekly
In this trilogy of love stories Greek myths expertly retold with a feminist slant McLaren (Waiting for Odysseus) brings to life three heroines, Atalanta, Andromeda and Psyche, and shows how each obtains a worthy mate. Romance links the stories, but it is not of the hearts-and-flowers variety. Themes regarding the repression of women and their secret yearnings for independence add an element of sharpness even as happy endings prevent these sagas from becoming unpleasantly bitter. In "Running from Love," for example, Atalanta's athletic skills and unorthodox views earn her a reputation as "a freak of nature." Caring more about self-preservation than others' opinions, she literally outruns her suitors to avoid the prison of marriage. Andromeda and Psyche are less rebellious. They reluctantly succumb to grim fates of loveless unions until supernatural forces unexpectedly intervene. McLaren endows her classical protagonists with new dimensions, making them vulnerable yet courageous, compassionate yet steel-willed. She artfully preserves the ambience of myth while offering an insightful glimpse of women struggling in a male-dominated world. A thoughtful afterword explores the status of upper-class women in real-life ancient Greece, identifies some of McLaren's sources and explains her variations on them. Ages 12-up.

From School Library Journal
Gr 8 Up-In a lively style, McLaren faithfully retells three myths from the viewpoint of each young heroine. Atalanta, the most unconventional of the three, is an Arcadian girl whose athletic prowess challenges prevailing norms of beauty, and who dreads the confinement and short leash of marriage. She tries to dissuade suitors from racing her to their deaths, but a Thracian challenger wins the contest and her heart after descibing the relative freedom of northern women. Andromeda is a pawn in an unappealing diplomatic game when the oracles decree her wedding to a monster instead. Perseus, the hero of whom she has dreamed, rescues her just in time. These two young women are resentful but still largely accepting of the fates and are rescued by males. Psyche, though, makes her own mistakes and pays for them herself. Her tale is the briefest, but in many ways the richest: her husband (Eros) acknowledges that he, too, shares the blame for their problems. In each story, McLaren reveals the kernel of wisdom that continues to nourish readers. An afterword adds more narrative framing as well as information about marriage in ancient Greece. For classroom reading or as a substitute for popular romances, this collection entices readers with the fresh vision and original voice that distinguished McLaren's Inside the Walls of Troy (Atheneum, 1996).

Patricia Lothrop-Green, St. George's School, Newport, RI

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